- Type of paper
: Book
Title: Croatian Musical Culture if the 17th Century
Publisher: Književni krug
ISBN: 86-7397-111-X
Year: 1992
Number of pages: 238
Number of references: 433
Language: hrvatski
Summary: Musical culture in Croatia during the 17th century shows
itselfto have been a coherent whole. In the first half of the
century,musical life was enriched by powerful composing names, while inthe
second half, anonymous musical creation dominated, noted downmainly in
manuscript sheet music and musical and liturgicalmanuals. The continuity of
individual forms of music and thedispersity of some of the composing
poroceudres, provides apicture of marked aspiration towards linking the
regional musicalareas in Croatia.
Keywords: Croatian Musical Culture of the 17th Century Interdisciplinary research a sintesis (monograph)
- Type of paper
: Paper in journal
Title: Poetic models and their musical settings: Tomaso
Cecchini's "Amorosi concetti" libro terzo op. 7
- Authors:
- Lovrec, Iva
Journal: Arti musices
Number: 1
ISSN: 0587-5455
Volume: 24
Year: 1993
Pages: from 27 to 44
Number of references: 16
Language: hrvatski
Summary: The cultural and poetic thought of the Mannerist-Baroque
wereprecisely fitting for an artistic endeavour such as the
"Amorosiconcetti" collection, libro terzo opus 7 (Venice, 1616) byItalian
composer Tomaso Cecchini, who at the begining of the 17thcentury came to
Croatian coast and worked under the auspicies ofthe Cishoprics of Split and
Hvar.
Keywords: poetic models musical settings Tomaso Cecchini Amorosi concetti libro terzo op. 7
- Type of paper
: Paper in journal
Title: Musical Culture in Istria and in Dalmatia in the 16th and
17th centuries: its basic historical, geo-political and culturological
determinations
- Authors:
- Stipčević, Ennio (54702)
- Stipčević, Ennio (54702)
Journal: International Review of the Aesthetics and Sociology of
Music
Number: 2
Volume: 23
Year: 1992
Pages: from 141 to 152
Number of references: 18
Language: talijanski
Summary: The study presents the basic historical, geo-political
andculturological determinants of musical culture in Istria andDalmatia
during the 16th and 17th centuries. Istria and Dalmatiaare presented as two
close but differentiated historical entites.
A similar geo-political situation - subordination to Venetianrule,
proximity to Turkish danger, connections with the Croatianethnical and
cultural mainstream - resulted in some similaritiesin music.
Keywords: Musical culture Istria and Dalmatia (16th and 17th centuries) basic historical, geo-political and culturological determinations
- Type of paper
: Paper in journal
Title: The "Serenissima", Istria and Dalmatia - Musical Contacts
and Permeations of the 16th and 17th Centuries
- Authors:
- Stipčević, Ennio (54702)
Number: 1
Volume: 24
Year: 1993
Pages: from 23 to 44
Number of references: 44
Language: talijanski
Summary: In this study those musical contacts and permeations are
analysedwhich existed between the "Serenissima" (Venice), Istria,
andDalmatia durig the 16th and 17th centuries. Special attention isgiven to
two aspects of musical communication: the musicalfolklore and music
performed within public festivities (i.e. tomusic which, as a rule, was not
registered in notation at thetime), as well as to the problems of music
printing.
Keywords: The "Serenissima", Istria, Dalmatia musical contacts musical folklore music performed within public festivities printing
- Type of paper
: Paper in journal
Title: Bibliographical notes on musical work by Lamberto Courtoys
- Authors:
- Stipčević, Ennio (54702)
Journal: Arti musices
Number: 2
Volume: 22
Year: 1991
Pages: from 207 to 214
Number of references: 24
Language: hrvatski
Summary: Bibliographical notes on work of one of the most
distinguishmusicians in Dubrovnik during the 16th century, flamish
composerLamberto Courtoys. New bibliographical data are based onresearches
in Italian musical archives and libreries.
Keywords: Bibliographical notes, Lamberto Courtoys, composer in Dubrovnik (16th century)
- Type of paper
: Survey/Study
Title: Popular renaissance songs and dances in violin tabulature
from Croatia (1625)
- Authors:
- Kos, Koraljka (72375)
Ordering party: Muzikološki institut Mađarske akademije znanosti
Institution depot: Muzikološki institut Mađarske akademije znanosti
Year: 1993
Number of pages: 25
Language: njemački
Summary: This paper, which was presented on the
Internationalmusicological symposium at Budapest (10-12.XII.1993)
"Ethnicrelations in Centraleuropean music in the 16th and 17thcenturries",
organised by the Musicological institute of theHungarian academy of
sciences, brings a new informations on themanuscript "Intavolature del
Violino di Sigr. Gabriele Peruaneoda Lesina" (1625) (Archiv of Croatian
Academy of Sciences andArts, sign. I.a.44). The manuscript is interesting
because of theextreme rarity of similar sources, as well as the document of
themusical culture in Hvar at the begining of the 17th century.
Keywords: Violin tabulature (1625), Croatia, Hvar
