SVIBOR - Papers - project code: 6-04-265

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SVIBOR - Collecting Data on Projects in Croatia


Published papers on project 6-04-265


Quoted papers: 1
Other papers: 19
Total: 20


  1. Type of paper: Paper in book

    Title: The Songs from the Paulite Codex

    Authors:
    Kos, Koraljka (72375)
    Editors
    Županović, Lovro
    Moguš, Milan
    Publisher: Hrvatska akademija znanosti i umjetnosti
    ISBN: 86-407-0080-X
    Year: 1991
    Pages: from 331 to 414
    Number of references: 24
    Language: hrvatski
    Summary: On the folios 90-169 of the hand-written Paulite codex from 1644is the first Croatian song-book with notation and Croatian andLatin texts for the melodies. The monophonic melodies belongmainly to the Central-European repertoire of the church song;part of them could be identified as belonging to the hymnodicrepertoire of the Middle ages, the others are of new date andpossibly belong to the folk musical tradition. The tunes arenotated with Metz notation without metrum signs and rests. Theymostly have Croatian texts (original or free translations fromthe Latin). The importance of this song-book is in thepresentation of a repertoire characteristic for the church songpraxis in Northern Croatia in the early 17th century.
    Keywords: Croatia, song-book, church song, Central-European repertoire, mediaeval hymnody, Croatian texts, Latin texts, Paulite, early Baroque, 17th century
    Other: notni primjeri

  2. Type of paper: Paper in book

    Title: The Folk Instrument "gusle" in the Arts of the 19th Century. About the Transformation of an Iconographic Motive

    Authors:
    Kos, Koraljka (72375)
    Editors
    Tuksar, Stanislav (65831)
    Publisher: Hrvatsko muzikološko društvo
    ISBN: 953-6090-01-5
    Year: 1993
    Pages: from 134 to 144
    Number of references: 6
    Language: njemački
    Summary: The images of the folk music from the 19th c. belong to differentstylistic trends of this time. Among them we find romanticidealization, exotics, the "biedermeier"-idyll, searching therealistic and characteristic aspects of the music making on thisinstruments, as well as examples of the political arttransmitting ideological messages. On the depictions of "gusle",a folk instrument typical for the South-European Slavic nations,we can follow different approaches of the artists to the votiveof the gusle-player: from objective documentaristic depictions(travelogues, works of cultural-historical character) to theimages which are stylizing the motive of the gusle-player andinterpreting it as a symbol of the national and South-Slavictraditions. Thus this motive develops into an independent toposwhich also in music has its corresponding treatment.
    Keywords: folk music, iconographical sources, 19th century, South-European Slavic nations, stylization, documentation, symbol
    Other: 8 ilustracija

  3. Type of paper: Paper in journal

    Title: Depictions of Folk Music Making in 19th-Century Visual Arts

    Authors:
    Kos, Koraljka (72375)
    Journal: International Review of the Aesthetics and Sociology of Music
    Number: 2
    ISSN: 0351-5796
    Volume: 23
    Year: 1992
    Pages: from 159 to 169
    Number of references: 14
    Language: njemački
    Summary: Depictions of folk music making in 19th-century visual arts aremarked by leading contemporary spiritual courses and artisticschools. The Romantic discovery of folk art, longing fornon-artificial andsimple phenomena, but also the earch for theexotic, the country idyll and the characteristic - all thischaracterized visual art views of folk music making, singing anddancing. Special attention is given to the ideological use of thefolk musician and singer motives. In this study less known visualsources, among which are also travelogues, are commented on, -forming by their visual material and accompanying texts - acategory of sources, insufficiently investigated up to now.
    Keywords: folk music, singing, dance, 19th century, visual arts, romantic, positivism, ethnomusicology, traveloques, exotic, idealization, ideological use of folk instruments

  4. Type of paper: Paper in journal

    Title: Beginnings of the New Croatian Music. An Endeavour to evaluate the Work of a Neglected Generation of Croatian Composers

    Authors:
    Kos, Koraljka (72375)
    Journal: Arti musices
    Number: 1-2
    ISSN: 0587-5455
    Volume: 25
    Year: 1994
    Pages: from 201 to 214
    Number of references: 26
    Language: hrvatski

  5. Type of paper: Paper in proceedings

    Title: The Interpretation of Text and Autonomous Music in the secular Work of J. Gallus - on the Example of the Composition "Dulces exuviae" (Moralia, 43)

    Authors:
    Kos, Koraljka (72375)
    Editors
    Cvetko, Dragotin
    Proceedings title: Jacobus Gallus Carniolus in evropska renesansa
    Language: hrvatski
    Place: Ljubljana, Slovenija
    Year: 1991
    ISBN/ISSN: 86-7131-050-7
    Pages: from 107 to 116
    Meeting: Međunarodni muzikološki simpozij "Gallus Carniolus in evropska renesansa"
    Held: from 10/21/91 to 10/24/91
    Summary: Vergil's text "Dulces exuviae" from the IVth part of the "Aeneas"was set to music during the 16th c. several times. Galluscomposed Didona's farewell lamento as a five-part madrigal(published 1596. in the collection "Moralia"). On this examplethe function and interaction of different expressive means weredescribed: the articulation of the text by means of the cadencesand contrasting in setting and sound, the declamation andrhythmics, the melodies and connection of motivic material, aswell as the means of the interpretation of text. The result showsa ballance between autonomous music and music as a means ofexpression, a ballance which could be regarded as characteristicfor Gallus' art.
    Keywords: Vergil, Jacobus Gallus, madrigal, 16th century, musical expression of the text, cadences, declamation, motivic material, interaction of the musical elements
    Other: notni primjeri

  6. Type of paper: Paper in proceedings

    Title: Compositions on Latin Texts by Heinrich Schtz and Ivan Lukačić. Comparative Analysis

    Authors:
    Kos, Koraljka (72375)
    Editors
    Tuksar, Stanislav (65831)
    Proceedings title: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Commu
    Language: njemački
    Place: Zagreb
    Year: 1993
    ISBN/ISSN: 953-6090-00-7
    Pages: from 45 to 61
    Meeting: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Communion / Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajedništva
    Held: from 10/12/89 to 10/14/89
    Summary: The comparative analysis of the compositions on same latin textsby Heinrich Schtz (1585-1672) and Ivan Lukačić (1585-1648) whosework was influenced by the contemporary italian music, shows thatboth composers created works of pronounced individuality withinthe frame of the early baroque vocal style. Both composers usedthe early baroque basso continuo setting, but they did not usethe radically new methods of the "seconda prattica", trying torealise in music the expressivity of the text in general.
    Keywords: Heinrich Schtz, Ivan Lukačić, early baroque music, basso continuo, expressivity, music rhetorical figures, 17th century, compositions on latin texts
    Other: 10 bilježaka i notni primjeri

  7. Type of paper: Paper in proceedings

    Title: The Pretended Quotations of Folk Music in the Works of the Viennese Classics

    Authors:
    Kos, Koraljka (72375)
    Editors
    Tuksar, Stanislav (65831)
    Proceedings title: Kongressbericht Mozartjahr 1991 Baden-Wien
    Language: njemački
    Place: Zagreb
    Year: 1993
    ISBN/ISSN: 3-7952-0766-5
    Pages: from 226 to 240
    Meeting: Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajedništva
    Held: from 12/07/91 to 12/12/91
    Summary: The investigation of the research about this subject showed, thatin the music of the Viennese classics (J. Haydn, W.A. Mozart andL. van Beethoven) there are vew undoubtedly documented quotationsof folk tunes. Some studies have been marked by the historicalviews of the 19th c. and tried to interprete the whole problemfrom the standpoint of the national cultures. This is the reasonwhy some of the folk melodies in the works of the Vienneseclassics were recognized and identified as Croatian, Hungarian orBohemian. In the manyfoldness of the folk music inspirationswhich marked the music of the Viennese classics we recognize therichness of the ethnic, cultural and linguistic plurality of theviennese society in the time of Joseph II.
    Keywords: Viennese classics, folk music, quotation, national cultures
    Other: notni primjeri

  8. Type of paper: Paper in proceedings

    Title: Compositions on Latin Texts by Heinrich Schtz and Ivan Lukačić. Comparative Analysis

    Authors:
    Kos, Koraljka (72375)
    Editors
    Tuksar, Stanislav (65831)
    Proceedings title: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Commu
    Language: hrvatski
    Place: Zagreb
    Year: 1993
    ISBN/ISSN: 953-6090-00-7
    Pages: from 197 to 213
    Meeting: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Communion / Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajedništva
    Held: from 10/12/89 to 10/14/89
    Summary: For summary, see the article: Compositions on Latin Texts byHeinrich Schtz and Ivan Lukačić. Comparative Analysis.
    Keywords: see article: Compositions on Latin Texts by Heinrich Schtz and Ivan Lukačić.
    Other: notni primjeri i 10 bilježaka

  9. Type of paper: Paper in proceedings

    Title: The Church Music of Leopold Ebner. Introductory Opservations

    Authors:
    Kos, Koraljka (72375)
    Editors
    Katalinić, Vjera (35001)
    Proceedings title: OFF-MOZART: Glazbena kultura i "mali majstori" 1750.-1820.
    Language: njemački
    Place: Zagreb
    Year: 1995
    ISBN/ISSN: 953-6090-02-3
    Pages: from 129 to 137
    Meeting: OFF-MOZART: Glazbena kultura i "mali majstori" srednje Europe 1750.-1820.
    Held: from 10/01/92 to 10/03/92

  10. Type of paper: Mentorship

    Title: Four centuries of the Exultet in the Zagreb Cathedral - from the Founding of the Bishopric (about 1094) to the First Printed Missale (1511)
    Faculty: Muzička akademija Sveučilište u Zagrebu
    Mentor: KOS KORALJKA
    Date of defense: 07/02/92
    Number of pages: 285
    Author: Livljanić mr. Katarina
    Degree level: M.A.


  11. Type of paper: Mentorship

    Title: The Musical Life in Zagreb from 1818 till 1891 in the Light of the Concert Programmes in the Archives of the Croatian Music Institute
    Faculty: Muzička akademija Sveučilište u Zagrebu
    Mentor: KOS KORALJKA
    Date of defense: 07/05/93
    Number of pages: 349
    Author: Miklaušić-Ćeran mr. Snježana
    Degree level: M.A.


  12. Type of paper: Manuscript

    Title: The Announcing of the Croatian Romantic Song in the Work of Ferdo Wiesner-Livadić

    Authors:
    Kos, Koraljka (72375)
    Language: hrvatski
    Other: u tisku, 30 str.

  13. Type of paper: Manuscript

    Title: The Vocal Lyrics of Krsto Odak

    Authors:
    Kos, Koraljka (72375)
    Language: hrvatski
    Other: u tisku, 25 str.

  14. Type of paper: Manuscript

    Title: The Croatian Language and Music in the Baroque Period

    Authors:
    Kos, Koraljka (72375)
    Language: hrvatski
    Other: u tisku

  15. Type of paper: Manuscript

    Title: Blagoje Bersa and the Croatian "Moderna"

    Authors:
    Kos, Koraljka (72375)
    Language: njemački
    Other: u tisku

  16. Type of paper: Invited lecture

    Title: The Croatian Language and Music in the Baroque Period
    Institution: Slovenska akademija znanosti in umetnosti
    Year: 1994


  17. Type of paper: Invited lecture

    Title: Blagoje Bersa and the Croatian "Moderna"
    Institution: Hrvatsko muzikološko društvo
    Year: 1994


  18. Type of paper: Other

    Title:

    Authors:
    Kos, Koraljka (72375)
    Other: Knjiga je objavljena u Zagrebu (HAZU-Globus) 1991.

  19. Type of paper: Other

    Title: Bruno Bjelinski (1909-1992). Commemorative publication.

    Authors:
    Kos, Koraljka (72375)
    Type of work: Stručna knjižica. Serijska publikacija HAZU; ISSN 1330-0865
    Language: hrvatski


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