- Type of paper
: Paper in book
Title: The Songs from the Paulite Codex
- Authors:
- Kos, Koraljka (72375)
- Editors
- upanović, Lovro
- Mogu, Milan
Publisher: Hrvatska akademija znanosti i umjetnosti
ISBN: 86-407-0080-X
Year: 1991
Pages: from 331 to 414
Number of references: 24
Language: hrvatski
Summary: On the folios 90-169 of the hand-written Paulite codex from
1644is the first Croatian song-book with notation and Croatian andLatin
texts for the melodies. The monophonic melodies belongmainly to the
Central-European repertoire of the church song;part of them could be
identified as belonging to the hymnodicrepertoire of the Middle ages, the
others are of new date andpossibly belong to the folk musical tradition.
The tunes arenotated with Metz notation without metrum signs and rests.
Theymostly have Croatian texts (original or free translations fromthe
Latin). The importance of this song-book is in thepresentation of a
repertoire characteristic for the church songpraxis in Northern Croatia in
the early 17th century.
Keywords: Croatia, song-book, church song, Central-European repertoire, mediaeval hymnody, Croatian texts, Latin texts, Paulite, early Baroque, 17th century
Other: notni primjeri
- Type of paper
: Paper in book
Title: The Folk Instrument "gusle" in the Arts of the 19th
Century. About the Transformation of an Iconographic Motive
- Authors:
- Kos, Koraljka (72375)
- Editors
- Tuksar, Stanislav (65831)
Publisher: Hrvatsko muzikoloko drutvo
ISBN: 953-6090-01-5
Year: 1993
Pages: from 134 to 144
Number of references: 6
Language: njemački
Summary: The images of the folk music from the 19th c. belong to
differentstylistic trends of this time. Among them we find
romanticidealization, exotics, the "biedermeier"-idyll, searching
therealistic and characteristic aspects of the music making on
thisinstruments, as well as examples of the political arttransmitting
ideological messages. On the depictions of "gusle",a folk instrument
typical for the South-European Slavic nations,we can follow different
approaches of the artists to the votiveof the gusle-player: from objective
documentaristic depictions(travelogues, works of cultural-historical
character) to theimages which are stylizing the motive of the gusle-player
andinterpreting it as a symbol of the national and South-Slavictraditions.
Thus this motive develops into an independent toposwhich also in music has
its corresponding treatment.
Keywords: folk music, iconographical sources, 19th century, South-European Slavic nations, stylization, documentation, symbol
Other: 8 ilustracija
- Type of paper
: Paper in journal
Title: Depictions of Folk Music Making in 19th-Century Visual
Arts
- Authors:
- Kos, Koraljka (72375)
Journal: International Review of the Aesthetics and Sociology of
Music
Number: 2
ISSN: 0351-5796
Volume: 23
Year: 1992
Pages: from 159 to 169
Number of references: 14
Language: njemački
Summary: Depictions of folk music making in 19th-century visual arts
aremarked by leading contemporary spiritual courses and artisticschools.
The Romantic discovery of folk art, longing fornon-artificial andsimple
phenomena, but also the earch for theexotic, the country idyll and the
characteristic - all thischaracterized visual art views of folk music
making, singing anddancing. Special attention is given to the ideological
use of thefolk musician and singer motives. In this study less known
visualsources, among which are also travelogues, are commented on, -forming
by their visual material and accompanying texts - acategory of sources,
insufficiently investigated up to now.
Keywords: folk music, singing, dance, 19th century, visual arts, romantic, positivism, ethnomusicology, traveloques, exotic, idealization, ideological use of folk instruments
- Type of paper
: Paper in journal
Title: Beginnings of the New Croatian Music. An Endeavour to
evaluate the Work of a Neglected Generation of Croatian Composers
- Authors:
- Kos, Koraljka (72375)
Journal: Arti musices
Number: 1-2
ISSN: 0587-5455
Volume: 25
Year: 1994
Pages: from 201 to 214
Number of references: 26
Language: hrvatski
- Type of paper
: Paper in proceedings
Title: The Interpretation of Text and Autonomous Music in the
secular Work of J. Gallus - on the Example of the Composition "Dulces
exuviae" (Moralia, 43)
- Authors:
- Kos, Koraljka (72375)
- Editors
- Cvetko, Dragotin
Proceedings title: Jacobus Gallus Carniolus in evropska renesansa
Language: hrvatski
Place: Ljubljana, Slovenija
Year: 1991
ISBN/ISSN: 86-7131-050-7
Pages: from 107 to 116
Meeting: Međunarodni muzikoloki simpozij "Gallus Carniolus in evropska renesansa"
Held: from 10/21/91 to 10/24/91
Summary: Vergil's text "Dulces exuviae" from the IVth part of the
"Aeneas"was set to music during the 16th c. several times. Galluscomposed
Didona's farewell lamento as a five-part madrigal(published 1596. in the
collection "Moralia"). On this examplethe function and interaction of
different expressive means weredescribed: the articulation of the text by
means of the cadencesand contrasting in setting and sound, the declamation
andrhythmics, the melodies and connection of motivic material, aswell as
the means of the interpretation of text. The result showsa ballance between
autonomous music and music as a means ofexpression, a ballance which could
be regarded as characteristicfor Gallus' art.
Keywords: Vergil, Jacobus Gallus, madrigal, 16th century, musical expression of the text, cadences, declamation, motivic material, interaction of the musical elements
Other: notni primjeri
- Type of paper
: Paper in proceedings
Title: Compositions on Latin Texts by Heinrich Schtz and Ivan
Lukačić. Comparative Analysis
- Authors:
- Kos, Koraljka (72375)
- Editors
- Tuksar, Stanislav (65831)
Proceedings title: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Commu
Language: njemački
Place: Zagreb
Year: 1993
ISBN/ISSN: 953-6090-00-7
Pages: from 45 to 61
Meeting: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Communion / Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajednitva
Held: from 10/12/89 to 10/14/89
Summary: The comparative analysis of the compositions on same latin
textsby Heinrich Schtz (1585-1672) and Ivan Lukačić (1585-1648) whosework
was influenced by the contemporary italian music, shows thatboth composers
created works of pronounced individuality withinthe frame of the early
baroque vocal style. Both composers usedthe early baroque basso continuo
setting, but they did not usethe radically new methods of the "seconda
prattica", trying torealise in music the expressivity of the text in
general.
Keywords: Heinrich Schtz, Ivan Lukačić, early baroque music, basso continuo, expressivity, music rhetorical figures, 17th century, compositions on latin texts
Other: 10 biljeaka i notni primjeri
- Type of paper
: Paper in proceedings
Title: The Pretended Quotations of Folk Music in the Works of the
Viennese Classics
- Authors:
- Kos, Koraljka (72375)
- Editors
- Tuksar, Stanislav (65831)
Proceedings title: Kongressbericht Mozartjahr 1991 Baden-Wien
Language: njemački
Place: Zagreb
Year: 1993
ISBN/ISSN: 3-7952-0766-5
Pages: from 226 to 240
Meeting: Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajednitva
Held: from 12/07/91 to 12/12/91
Summary: The investigation of the research about this subject
showed, thatin the music of the Viennese classics (J. Haydn, W.A. Mozart
andL. van Beethoven) there are vew undoubtedly documented quotationsof folk
tunes. Some studies have been marked by the historicalviews of the 19th c.
and tried to interprete the whole problemfrom the standpoint of the
national cultures. This is the reasonwhy some of the folk melodies in the
works of the Vienneseclassics were recognized and identified as Croatian,
Hungarian orBohemian. In the manyfoldness of the folk music
inspirationswhich marked the music of the Viennese classics we recognize
therichness of the ethnic, cultural and linguistic plurality of theviennese
society in the time of Joseph II.
Keywords: Viennese classics, folk music, quotation, national cultures
Other: notni primjeri
- Type of paper
: Paper in proceedings
Title: Compositions on Latin Texts by Heinrich Schtz and Ivan
Lukačić. Comparative Analysis
- Authors:
- Kos, Koraljka (72375)
- Editors
- Tuksar, Stanislav (65831)
Proceedings title: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Commu
Language: hrvatski
Place: Zagreb
Year: 1993
ISBN/ISSN: 953-6090-00-7
Pages: from 197 to 213
Meeting: The Musical Baroque, Western Slavs and the Spirit of the European Cultural Communion / Glazbeni barok i zapadni Slaveni u kontekstu europskog kulturnog zajednitva
Held: from 10/12/89 to 10/14/89
Summary: For summary, see the article: Compositions on Latin Texts
byHeinrich Schtz and Ivan Lukačić. Comparative Analysis.
Keywords: see article: Compositions on Latin Texts by Heinrich Schtz and Ivan Lukačić.
Other: notni primjeri i 10 biljeaka
- Type of paper
: Paper in proceedings
Title: The Church Music of Leopold Ebner. Introductory
Opservations
- Authors:
- Kos, Koraljka (72375)
- Editors
- Katalinić, Vjera (35001)
Proceedings title: OFF-MOZART: Glazbena kultura i "mali majstori" 1750.-1820.
Language: njemački
Place: Zagreb
Year: 1995
ISBN/ISSN: 953-6090-02-3
Pages: from 129 to 137
Meeting: OFF-MOZART: Glazbena kultura i "mali majstori" srednje Europe 1750.-1820.
Held: from 10/01/92 to 10/03/92
- Type of paper
: Mentorship
Title: Four centuries of the Exultet in the Zagreb Cathedral -
from the Founding of the Bishopric (about 1094) to the First Printed
Missale (1511)
Faculty: Muzička akademija Sveučilite u Zagrebu
Mentor: KOS KORALJKA
Date of defense: 07/02/92
Number of pages: 285
Author: Livljanić mr. Katarina
Degree level: M.A.
- Type of paper
: Mentorship
Title: The Musical Life in Zagreb from 1818 till 1891 in the
Light of the Concert Programmes in the Archives of the Croatian Music
Institute
Faculty: Muzička akademija Sveučilite u Zagrebu
Mentor: KOS KORALJKA
Date of defense: 07/05/93
Number of pages: 349
Author: Miklauić-Ćeran mr. Snjeana
Degree level: M.A.
- Type of paper
: Manuscript
Title: The Announcing of the Croatian Romantic Song in the Work
of Ferdo Wiesner-Livadić
- Authors:
- Kos, Koraljka (72375)
Language: hrvatski
Other: u tisku, 30 str.
- Type of paper
: Manuscript
Title: The Vocal Lyrics of Krsto Odak
- Authors:
- Kos, Koraljka (72375)
Language: hrvatski
Other: u tisku, 25 str.
- Type of paper
: Manuscript
Title: The Croatian Language and Music in the Baroque Period
- Authors:
- Kos, Koraljka (72375)
Language: hrvatski
Other: u tisku
- Type of paper
: Manuscript
Title: Blagoje Bersa and the Croatian "Moderna"
- Authors:
- Kos, Koraljka (72375)
Language: njemački
Other: u tisku
- Type of paper
: Invited lecture
Title: The Croatian Language and Music in the Baroque Period
Institution: Slovenska akademija znanosti in umetnosti
Year: 1994
- Type of paper
: Invited lecture
Title: Blagoje Bersa and the Croatian "Moderna"
Institution: Hrvatsko muzikoloko drutvo
Year: 1994
- Type of paper
: Other
Title:
- Authors:
- Kos, Koraljka (72375)
Other: Knjiga je objavljena u Zagrebu (HAZU-Globus) 1991.
- Type of paper
: Other
Title: Bruno Bjelinski (1909-1992). Commemorative publication.
- Authors:
- Kos, Koraljka (72375)
Type of work: Stručna knjiica. Serijska publikacija HAZU; ISSN 1330-0865
Language: hrvatski