- Type of paper
: Paper in journal
Title: Ganga as a part of autochthonous folk music of Dalmatian
Zagora and West Hercegovina
- Authors:
- Buble, Nikola (84525)
Journal: Bašćinski glasi
Number: 2
ISSN: 1330-1128
Volume: 254
Year: 1993
Pages: from 125 to 158
Number of references: 20
Language: hrvatski
Summary: Nikola Buble's work views ganga as a part of autochthonous
folk
music of Dalmatian Zagora and West Herzegovina. It mainly answers following
questions:What are basic, and at the same , most
recognisible features of the music world which created ganga, in other
words, of what music phenomena the musicword in question
consists?
Author display in a more thotoughly way musical and other than
musical characteristics of ganga, pointing the fact that ganga is the part
of autstanding musical world which is usually misjudged if viewed from the
West-European point view.
Keywords: ganda, phenomen, music world, autochthonous music
- Type of paper
: Paper in journal
Title: Narrative songs on the island of Murter
- Authors:
- Milin, Vedrana (82523)
Journal: Bašćinski glasi
Number: 2
ISSN: 1330-1128
Volume: 254
Year: 1993
Pages: from 159 to 175
Number of references: 13
Language: hrvatski
Summary: Inher article Narrative songs on the island of Murter,
Vedrana
Milin states that narrative poems on that island remain today
only in the memory of older islanders. In spite of this fact, and most of
all by virtue of the present-day relevance of individual texts of the
songs, it has been known to happen that an outmoded, old-fashioned,
rejected narrative song finds its way back to life in a special way. The
autor explains the reasons, alongside the
present.day relevance of the text, which have to a situation
whwrw narrative songs can, albeit in extremely rare
circumstances, be heard on the island of Murter.
Keywords: narrative songs, memory, an old main, island
- Type of paper
: Paper in journal
Title: An enclosure for the future of the Festival of the
Dalmatian klapas in OmiŠ
- Authors:
- Buble, Nikola (84525)
Journal: Bašćinski glasi
Number: 2
ISSN: 1330-1128
Volume: 254
Year: 1993
Pages: from 177 to 181
Language: hrvatski
Summary: The article declares that it is necessary to work in favour
of the growing of musical culture through promoting and saving of the
traditional values of klapa song. It is against that the Festival becomes
only museum which would collect the documents of the past time.
Keywords: museum, tradition, dynamics, musical culture
- Type of paper
: Paper in journal
Title: Jakov Gotovac from the ethnomusicological point of view
- Authors:
- Mitrović-Rudić, Ivana
Journal: Bašćinski glasi
Number: 2
ISSN: 1330-1128
Volume: 254
Year: 1993
Pages: from 5 to 49
Number of references: 27
Language: hrvatski
Summary: This article by Ivana Mitrović-Rudić sheds light on the
choral
compositions of the Croatian composer jakov gotovac from the
ethnomusicological point of view. In the belief that the
environment in which this artist worked had an impact on his
works, the autor first of all presents Gotovac's biography
with respect to his work, and then goes on to deal whith te
general features of his compositions. After giving the basic
features of his a cappella compositions for choirs, she goes on
to analyse them in detail in order to determine the extent to
which Jakov Gotovac made use folk-music. Since to this date
(1993), no complete list of Jakov Gotovac's opus has been
published, the author provides such a list at the end of the
article.
Keywords: composer, folk/music, choral compositions, ethnomusicology
- Type of paper
: Paper in journal
Title: Sacramentarium spalatense
- Authors:
- Marović, Šime
Journal: Bašćinski glasi
Number: 2
ISSN: 1330-1128
Volume: 254
Year: 1993
Pages: from 51 to 100
Number of references: 29
Language: hrvatski
Summary: 0ŕIl presente lavoro e una elaborazione e l'analisi
delSacramentario Ms.624 che oggi si tova nel tesoro della
cattedrale di Split (Croazia).Possiamo concludere che il
Sacramentario spalatense (Split)con le sue numerose varianti e
differenze vere e propie, da un grandecontributo per una edizione critica
sacramentari latini.
Keywords: Sacramentarium spalatense, gregorian, analysis
- Type of paper
: Paper in journal
Title: Church vocal music of Ljubuški
- Authors:
- Boras, Martin Pero
Journal: Bašćinski glasi
Number: 2
ISSN: 1330-1128
Volume: 254
Year: 1993
Pages: from 109 to 123
Number of references: 4
Language: hrvatski
Summary: In his study, Martin Boras presents a part of the ritual
church
vocal music as practised by the people of Ljubuški which has
survived even to this day.Eight liturgical and paraliturgical
songs are presented. For some of the songs, the autor indicates
their choral origins.
Keywords: ritual, church, vocal music, liturgy, paraliturgy, choral
- Type of paper
: Paper in journal
Title: Expert report of folk-songs in the region of Split,Kaštela
and Trogir
- Authors:
- Dobronić, Antun
Journal: Bašćinski glasi
Number: 2
ISSN: 1330-1128
Volume: 254
Year: 1993
Pages: from 101 to 107
Language: hrvatski
Summary: he Croatian composer and author of works concerning music
Antun
Dobronić (1878-1955) had writen his Expert report... in 1948 on
the basis of folk-songs he collected in the region of Split,
Kaštela and Trogir. he collected the songs in december 1947.
Since the time of Dobronić's report, much has changed in that
region. Nevertheless, the description of the condition and the
lines of development of local music from the ethnomusicologypoint of view
in the Report is very relevant, and, in many respects,
almost identical with present-day conditions. It is for this
reason that we have decided to print Dobronić's report more than forty
years after it was written, and thus make it available to
broader circle of scholars.
Keywords: composer, expert report, folk/songs, change, development, ethnomusicology
- Type of paper
: Paper in journal
Title: Musical activity of Zadar Theatre during the absolutism
- Authors:
- Bezić, Jerko (3455)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 63 to 93
Number of references: 15
Language: hrvatski
Summary: Musical activity of Zadar Theatre during the absolutism
(1852-1860) had three main forms. The most important werw quest
performances of Italian opera companies. The concerts of local
amateurs, singers and players, where very important, too.
Concerts of foreign artists where rare. This work often brings
shorter parts from the preserved newspaper critics and reviews by Jakov
Ćudina (1826.1900), Giovanni Salghetti Drioli (1814-1868)
and Paško Antun Kazali (1815-1894). Their articles gave evidence of high
music culture of mentioned composers and indirectly about the music culture
of Zadar in the that period.
Keywords: theater, music, Italian opera, local amateurs, singers, newspaper critics
- Type of paper
: Paper in journal
Title: The Melographic Work of Josip and Ivan Bozzotti
- Authors:
- Buble, Nikola (84525)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 95 to 129
Number of references: 19
Language: hrvatski
Summary: From the middle of the nineteenth century to the present
day,
many more of less expert musicologists, students of folklore and musical
amateurs have shown a pronounced interest in the living
and spontaneous music practised by the townspeople in southern
Croatia. Among the pioneers which effectivelypresented these
interests werw Josip and Ivan Bozzotti, musicans from Trogir. The article
by Nikola Buble is the first work which comprehensively
present this to the cultural community.
The article concludes with a summarized report concerning the
extent to wicj Josip and Ivan Bozzotti's melographed material is present
in the music of present-day inhabitants of Trogir, i.e., the extent to
which is contributes to the creation of the general musical culture of the
city.
Keywords: southern Croatia, Mediterranean, melographied material, music culture
- Type of paper
: Paper in journal
Title: Wind orchestra in Sinj
- Authors:
- Soldo, Josip Ante
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 131 to 134
Language: hrvatski
Summary: Wind orchestra in southern Croatia, particulary in the
region of the Dalmatian hinterland, where, as a rule, organized during
national struggles concerning the Croatization of municipalites. This is
what happened in Sinj. It is believed that the wind
orchestra was founded in 1862, at the time whwn efforts were made to
organize the Kačić-Miošić Croatian reading-room. In the
absence of public records or detailed and credible newspaper
reports, the article primarily seeks to provide an incentive for further
investigation of the topic of bands in Sinj. The autor
outlines certain fact in connection with the activities of the
bands in Sinj as well as the social setting which formed the
framework for these activities.
Keywords: wind orhestra, southern Croatia, music culture
- Type of paper
: Paper in journal
Title: Epistolar and evangelistar of Trogir
- Authors:
- Filipović, Dragan
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 135 to 173
Number of references: 23
Language: hrvatski
Summary: ll presente lavoro e un'analisi dell'Epistolario e
dell'Evangelistario che oggi si trovano nella Pinacoteca di
Trogir in Croatia.
Certo, i due codici trattati non sono stati trattati sotto tutti i punti
di vista. E rimane ancora da fare. Ma il contributo di
questa tesi potrebbe essere propio in quello di aver fatto una
lettura e spiegato le melodie nei rispettivi codici. In cio
potrebbe essere anche il novum di questa tesi.
Keywords: Epistolario, Evangelistario, Trogir, Croatian, gregorian analysis, beneventana, transcription
- Type of paper
: Paper in journal
Title: Music archives of Split
- Authors:
- Grgić, Miljenko (152633)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 175 to 185
Number of references: 21
Language: hrvatski
Summary: Rich music archives of Split constitute the basis of the
knowledge on musical developing and maturing of this milieu. The archiver
of the cathedral and the Town Museum are complementary
to one another, which is obvious throughappearing of the names of the same
composers and their works. The great partof those
archives make work of the older chapelmaster of St.Doimos
Cathedral. They left admiring number of church works, which has
been composed for the needs of service in Split cathedral. That's the
reason for excessive number of curch compositions from that
period in the cathedral archives.
Keywords: music archives, chapelmaster, St.Doimos Chatedral, Francirean monastery, Town Museum
- Type of paper
: Paper in journal
Title: Bombardell's decaphonic system
- Authors:
- Sirišćević, Mirjana (85923)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 187 to 196
Number of references: 15
Language: hrvatski
Summary: Silvije Bombardelli (1916) is composer, conductor and
author
articles and essays in the field of the aesthetics and philosophy of music,
and musical theory.His development as a composer is
marked by a continuous search for an original melodic and
harmonic system which would serve as the most appropriate
foundatio for his musical expression. Bombardell's decaphonic
scale, as is implied by the name, contains ten notes arranged in a scale
made up of eight semitones and two whole tones.The
position of major seconds within the scale can vary, and this
means that the whole tone intervals can occur between any two
positions in the scale, and their permutation generates 45
different variations of decaphone scale.
Keywords: composer, aesthetics, decaphone scale
- Type of paper
: Paper in journal
Title: Women's vocal groups at the Festival of Dalmatian Clappas,
Omiš
- Authors:
- Stermšek, Maja
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 197 to 215
Language: hrvatski
Summary: The text of this study shows following: a) that the form of
women's clappas at the Festival of Dalmatian Clappas in Omiš (as well as
at other festival and concerts) imitates that of men's
clappas; b)that there is no place for authentic women's singing
at the Omiš Festival since women do not sing clappa songs; c) the name
"clappa" for women is in itself questionable (although
women have in recent years made great strides in performing
Dalmatian clappa songs); d) the manner and form of women's
singing includes the applicatio of broader ethnomusicological,
sociological, and even psyhological aspect.
From the study we can draw the conclusio that this is a complex
problem, and that it cannot be solved overnight; this will entail a proces
which will in coming years present new musicological
challenges.
Keywords: clappas, womwn-s singing, women-s vocal groups, repertoire, festival, musicological challenges
- Type of paper
: Paper in journal
Title: Spontaneity / the most important characteristic of
folklore
- Authors:
- Milin, Vedrana (82523)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 217 to 235
Number of references: 30
Language: hrvatski
Summary: The basic criterion for determining spontaneous situations
is the non-existence of programmes which have been defined in advance.
Regardless of fact whether spontaneous musical situations occur
without an external motive or with a certain motive, the show
that actual situation of living musical practice, as well as the true
state of musical life and musical interests of a particular community. The
musical repertoire is a reflection and an
amalgamation of all factor which participate in a given segment
of time within a certain geographic area. The selected examples
of clappa songs shows the waz in which this form of song is
shaped within a spontaneous form of musical expression.
Keywords: spontaneous, folk/music, change, living musical practice
- Type of paper
: Paper in journal
Title: Organs in the region around Makarska
- Authors:
- Srzić, Aleksandar
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 237 to 244
Language: hrvatski
Summary: The autor of the article links the appearance of organs in
the
region around Makarska with the arrival of Franciscan friars in
Yaostrog, Živogošće and Makarska, The famous organ-builder Petar nakić
spent a part of his life in the monastery in Makarska. he
built the first organ in Zaostrog. This was a small
Italian-Dalmatian type of organ, and it was completed in 1738.
The housing, the casing, the manual and one of the two bellows
have been preserved, although in a dilapidated condition. The
article also deals with the present state of organs in the region around
Makarska.
Keywords: organs, church, Francisean friars, Naki', Italian/Dalmatian organ
- Type of paper
: Paper in journal
Title: Frane Parać - Music for Orchestra
- Authors:
- Sirišćević, Mirjana (85923)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 245 to 260
Number of references: 8
Language: hrvatski
Summary: Frane Parać from Split who is one of rising generation of
composer and one of the most significant representatives of
postmodernism in Croatia.His development in composition can be
divided into two stages. In the first, Parać was orientated
towards the contemporary articulation of music whith a pronounced emphasis
on the vocal elements. This was a period of free
atonality in which his musical expression was formed under the
influence of European authorities (Berio, Ligeti, Maderna). The
main charahteristics of Parać's musical expression in this perio are:
tonality, the simplicity of the score and a modest level of tehnical
difficulty of the compositions which, as a result, have become more
accessible for both the performers and the listeners. The analysed
composition "Music for Orhestra" (1985) brings out
all the mentioned characteristics arising from the composer's
adopted orientation.
Keywords: composer, postmodernism, tonality, simplicity
- Type of paper
: Paper in journal
Title: The early mediaeval polyphony in Croatia
- Authors:
- Demović, Miho
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 261 to 338
Number of references: 43
Language: hrvatski
Summary: On the basis of fats presentedin this stydi we can conclude
that more than 30 compositions in the European early mediaeval
polyphonic style have been preserved in Croatia. With respect to their
form they can for the most part be classified as either
rondeaux or descants. They are proof that there was no break in
style in Croatian musical culture on the contrary, they show that the rich
opus of monodic music from numerous choral codices in
Croatia, as in other countries in western Europe, served as the
foundation for the early mediaeval polyphonic style.The
compositions are published here in own transcription.
Keywords: mediavel, ars antiquae, polyphony, Croatia, liturgical codeces, development, continuity
- Type of paper
: Paper in journal
Title: Is "tambura" more Croatian instrument than mandoline
- Authors:
- Buble, Nikola (84525)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 339 to 344
Language: hrvatski
Summary: The author draws the conclusion that the treatment on the
part of cultular policy of two instruments pesent in the music of some
Croats - the mandolin and tambura - is not evenhanded and that
such a policy is therefore unacceptable.The autor rejects such
views and concludes that both instruments are equally Croatian if we judge
them on the basis of the postulates of modern
ethnomusicology.
Keywords: mandolin, tambura, national instrument, Croatia, ethnomusicology
- Type of paper
: Paper in journal
Title: On the occasion of 70 years of life of the conductor and
the composer Mo Dinko Fio
- Authors:
- Buble, Nikola (84525)
Journal: Bašćinski glasi
Number: 3
ISSN: 1330-1128
Volume: 432
Year: 1994
Pages: from 399 to 421
Language: hrvatski
Summary: The article carries work biography, bibliography and
discography of this Croatian musician.
Keywords: composer, work biography, bibliography, discography
- Type of paper
: Paper in journal
Title: Characteristich of the composition work J.Skjavetić in the
field of secular music
- Authors:
- Županović, Lovre
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 29 to 57
Number of references: 31
Language: hrvatski
Summary: Stated characteristics of the composition work of Julije
Skjavetić in the field of secular music show that the composer
was an important creative personality both in Croatian and
foreign music in the middle of the 16th century. He belonger to
the group of composers who, composing on the principles of the
"first manner of composing" ("prima pratica"), sought the golden "mean".
He established himself with a certain number fo vocal
pieces among which, beside the four completely preserved and
publiclyknow compositions there are a few incomplete madrigals
that stand out. In the forefront is the composer's "intimate"
daptych composed of the romantically trembling Amor quando fiora and
sentimental "larmoyant" Et oltr' al mio destin'.
Keywords: hight renaissance, vocal music, metric, melodics, harmony, forms, chanson, Croatia
- Type of paper
: Paper in journal
Title: A musician from Trogir Andro Sentinella between the towns
Trogir, šibenik and Zagreb
- Authors:
- Buble, Nikola (84525)
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 59 to 91
Number of references: 51
Language: hrvatski
Summary: Andro Sentinella (1897-1970) from trogir, is a musician who
worked in long line of worty chapelmasters in Dalmatia. He was
the pupil of C.M.Hrazdira and J.B.Foerster, the founder Czech
Modernism. It is quite understandable that though he recognized
Modernism, he generally could not apply its principles in his
works because of the cultural atmosphere he lived in. Sentinella Was
musically able to reach artistic values of national
importance. But he had bad luck, especially after leaving
Šibenik, and unfavourable circumstances didn't allow it. However, his role
in shaping the musical consciousness of the citizens of Šibenik, and
especially Trogir, is important.
Keywords: musician, kapelmaster, conductor, composer, Dalmatia, music culture, cultural atmosphere
- Type of paper
: Paper in journal
Title: Feast on the Island of Murter
- Authors:
- Milin, Vedrana (82523)
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 93 to 120
Number of references: 11
Language: hrvatski
Summary: The study was written on the bisis of 573 songs recorded
during
wedding feasts on the Island of Murter in the period from 1975 to 1988. It
gives a detailed analysis of the traditional local songs which still
maintain a dominant role in forming the musical
repertoar in weddings, which are isolated from performance songs.
Keywords: feast, tradition, repertoire, structure,changes, continuity
- Type of paper
: Paper in journal
Title: Identification the parts of Masses in the work of
Benedetto Pellizzari
- Authors:
- Poklepović, Magda
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 121 to 135
Number of references: 8
Language: hrvatski
Summary: At the time of the church opus of Benedetto Pellizzari,
there
existed the characteristic practice of double scores written out by the
author, and in the course of years, a considerable number of contemporary
copies also appeared.Although all musicologists
working on the Split Cathedral noticed the duplication of
Pellizzari's scores, this study, on the basis situatio concerning
Pellizzari's church music opus completely and clearly. The author asserts
that of 400 archival pieces belonging to Benedetto
Pellizzari in the Musical Archive of the Split cathedral, there
are 120 Masses and parts of Masses. If the duplicates are
subtracted, the final number is 71, of which 54 are certainly and 17
probably Masses.
Keywords: musical archives, messe, chapelmaster, church, identifies
- Type of paper
: Paper in journal
Title: The state of organs in the churches of Kotor Diocese
- Authors:
- Grga, Božidar
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 137 to 164
Number of references: 10
Language: hrvatski
Summary: The autor describes the state of organs in the churches of
Kotor Diocese, according to an opinion poll which was taken in December
1974, and a tour of the region in July, 1975. In total, there are 16 organs
described in the rwlatively small tract. The autor
considers this number as imposing and believes that it gives
proof of the rich cultural heritage of Croats in Kotor Diocese.
In addition, the fact given in this study show the large number
of Croats and their economic strength during the 19th century in the
mentioned teritory.
Keywords: organ, church, Kotor Diocese, culture heritage
- Type of paper
: Paper in journal
Title: Lambert Courtoys,senior, spiritual madrigals and the
instrumental composition Petit Jacqut
- Authors:
- Demović, Miho
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 165 to 237
Number of references: 26
Language: hrvatski
Summary: The study proclaims in the transcription of the researcher
6 spiritual madrigals and the instrumental composition Petit Jacquet. Basic
to their analysis it is clamed that L.C. Senior is one of the greatest
composer of the renaissance.
Keywords: spiritual madrigals, instrumental composition,renaissance, analyze
- Type of paper
: Paper in journal
Title: The organ assistant in the Split Cathedral
- Authors:
- Grgić, Miljenko (152633)
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 239 to 249
Number of references: 6
Language: hrvatski
Summary: The organ assistent helped the development of sacred
musical
perfomances. which depended on the frequent use of organ in
numerous and complex liturgical services. The main duty of the
organ assistent was to blow the bellows and take care of organ
and the choir loft whwrw thw organ was placed. The organ
assistents were subdordinate to the chapelmasters and organists
of the Catedral. They were not very educated, but by their
attitude and diligent work, they helped keep up the reputatio of the
Cathedral.
Keywords: organ, church, organ assistant, chapelmaster
- Type of paper
: Paper in journal
Title: What kind of a musical culture should be promoted in the
churches of the coastal and insular Dalmatia
- Authors:
- Buble, Nikola (84525)
Journal: Bašćinski glasi
Number: 4
ISSN: 1330-1128
Volume: 369
Year: 1995
Pages: from 251 to 257
Language: hrvatski
Summary: The text warns that it is sad revien spread nowadays, that
the music performed in churches is reduced on the feeling of pleasantness.
It carries the reasons for that opinion and suggestions for overcoming
caught in the very act condition.
Keywords: church, musical culture, entertainment, liturgy, organist, kitsch
- Type of paper
: Mentorship
Title: Women-s vocal groups at the Festival of Dalmatian Clappas
in OmiŠ
- Authors:
- Boras, Martin Pero
Faculty: Prirodoslovno matemati;kih znanosti i odgojnih podru;ja Split
Mentor: BUBLE NIKOLA
Date of defense: 10/25/93
Number of pages: 120
Author: Stermšek prof. glazbene kulture Maja
Degree level: D.A.
- Type of paper
: Mentorship
Title: Music in the Cathedral of šibenik throught Lent and Easter
Faculty: Prirodoslovno matemati;kih znanosti i odgojnih podru;ja Split
Mentor: BUBLE NIKOLA
Date of defense: 10/25/94
Number of pages: 61
Author: Marinov profesor glazbene kulture Natalija
Degree level: D.A.
- Type of paper
: Invited lecture
Title: DALMATIAN GROUPS AND SINGERS
Institution: Kroatische katholische Mission
Year: 1993
- Type of paper
: Invited lecture
Title: MUSICAL TRADITION AND CULTURE OF SOUTHERN CROATIA
Institution: Kroatische katholische Mission
Year: 1994
- Type of paper
: Invited lecture
Title: MUSIC CULTURE OF SOUTHERN CROATIA
Institution: Kroatischer Kulturverein
Year: 1995
- Type of paper
: Invited lecture
Title: MUSIC CULTURE OF SOUTHERN CROATIA
Institution: Kroatische katholische Mission
Year: 1995
- Type of paper
: Invited lecture
Title: WIND ORCHESTRA IN THE LIFE INHABITANTS SOUTHERN CROATIA
Institution: Dubrovačke ljetne igre,Gradska glazba Dubrovnik
Year: 1993
- Type of paper
: Invited lecture
Title: CLAPPAS SONG AND THE FUTURE OF THE FESTIVAL OF DALMATIAN
CLAPPAS IN OMIŠ
Institution: Hrvatsko muzikološko društvo, Hrvatsko društvo skladatelja
Year: 1993
- Type of paper
: Other
Title:
