CONTEMPORARY IRISH POETRY:FROM YEATS TO THE PRESENT DAY
Main researcher
: GRGAS, STIPE (113696) Assistants
PETRIĆ, ESTELLA (113540)
Type of research: basic Duration from: 01/01/91. to 12/31/95. Papers on project (total): 10
Institution name: Filozofski fakultet, Zadar (70) Department/Institute: English department Address: Ul. Kralja Petra Krešimira IV/II City: 23000 - Zadar, Croatia
Communication
Phone: 385 (022) 54-011
Summary: The project intends to delineate and investigate the
essentialcomponents of the developments within Irish poetry from Yeats
tothe present day.The reading of the targeted body of texts aims tolay
down the essential features of their poetics but also todetermine a number
of characteristics which differentiate Irishliterature.One of the initial
presuppositions of the analysis isthat the Irish example can be used to
illustrate the ideology andconcrete workings of the relationship between a
hegemonizingculture and what it suppresses or leaves out.
Keywords: Ireland,Ulster,Kavanagh,Devlin,Kinsella,Montague,MacNiece,Boland, Heanez,Mahon,Muldoon,Longlez,Paulin,Yeats, anxiety of influence,poetics,history,nationalism,decentering,decolonializati on
Research goals: The primary aim of the project, as the title states,
is to discover what happened within Irish poetry after Yeats. Bringing
before the Croatian public a little known body of poetic texts I hope to
chart into the anonymous body of English literature a specific national
tradition.My expectations are that the project will result in a body of
translated poetical texts, a critical review of a vital segment of Irish
cultural production which should function as a preparatory step for the
introduction of Irish studies into the curriculum. On the theoretical
level, the case of Ireland vividly illustrates the strategies of domination
and resistance amongst cultures existing in a colonial relationship. Other information about the project.